Wednesday, April 25, 2012

Station Profile- 94.5 PST & Matt Sneed


94.5 WPST is a radio station located in Princeton, NJ, serving Central New Jersey and Philadelphia and it's suburbs.

The station's format is Contemporary Hits, featuring artists like Katy Perry, Rihanna, Taylor Swift, and Coldplay.  WPST has a weekly audience of over 700,000 listeners, primarily located in Mercer, Burlington, Somerset, Middlesex, Hunterdom, Camden and Ocean counties in NJ and Bucks County and the city of Philadelphia in PA

WPST (94.5 FM) is a radio station broadcasting a Top 40 (CHR) format. Licensed to Trenton, New Jersey, USA, the station serves the Philadelphia, Central Jersey area. The station is currently owned by Nassau Broadcasting Ii, LLC and features programming from Westwood One. The transmitter is located in Fairless Hills Pennsylvania, on US-1.

94.5 in Trenton began on August 7, 1965 as WCHR with a religious format. But after 33 years, that all changed when Nassau Broadcasting bought the station. November 10, 1997 saw the beginning of things to come when WCHR began to simulcast on 920 AM in Trenton (see NJ AM Page 4) in preparation for a format change. On February 27, 1998, WCHR started stunting with construction sound effects and on March 2, 1998 94.5 became "New Jersey's Oldies Station." The WNJO calls were assigned on March 26, 1998. On November 1, 2001, WNJO switched to a classic hits format as "94.5 The Hawk." Calls changed to WTHK on August 1, 2002 - and slowly evolved into a classic rock station. On February 14, 2005, at 5pm, 94.5 "switched" frequencies and formats with 97.5 WPST. Forming 94.5 "PST" "number one for today's hit music". Matt Sneed (current MD) was the first voice on 94.5 WPST, while Chris Puorro was music director and Dave McKay was program director at the time.
97.5 started life, initially on January 10, 1949, then officially on April 19, 1949, as WTOA. It was owned by the Mercer Broadcasting Company, which was a wholly owned subsidiary of the Trenton Times newspaper. WTOA started out broadcasting from 3pm to 11pm, with an ERP of 14,500 watts. Its original coverage area reached as far north as Brooklyn, New York and as far west as Reading Pennsylvania. 97.5 became WPST on September 13, 1971. The WPST calls originally stood for "Passport Stereo Trenton," a slogan of the station at the time. Also, the WPST calls were on a Miami TV station now known as WPLG. WPST is known for its mainstream CHR format, which they've had for many years. Tom Taylor was the PD who launched the format in the mid 1970s, and did mornings on the station until 1987. In August 1975, owner Herb Hobler hired Phil Gieger as the General Manager. Along with Tom Taylor, they revamped the station and coined the phrase, "From The Shore To The Poconos, The Best Music Is On The FM 97.5 WPST." They initially established an Adult Rock format, and by the Fall of 1975, the station took off and eventually became the number one station in the market. Some WPST DJs over the years included Lee Tobin, John Mellon (aka Walt Ballard), Ed Johnson, Doug James, John Brown, Eddie Davis, Trish Merelo, David Cooper, Andy Gury, Jeff "Woody" Fife, Dan Kelly, Brian Douglas, Mel Toxic, Kris Gamble, Jay Sorensen, Bob Sorrentino, Dave Hoeffel, Tom Cunningham, Dave Moss, Michelle Stevens, Pat Gillen, Eric Johnson, Mark Sheppard, Andre Gardner, Phil Simon, Mike Kaplan, Steve Trevelise, Joel Katz, Rich DeSisto, Jason Barsky, Scott Lowe, Joe LeCompte, Jeff Ryan, Gabrielle Vaughn and Chris Puorro. Today's DJ's on WPST are Chris Rollins, Toni Ryan, Matt Sneed, Shinn, Wade, and Cameron. Caricatures of the WPST DJs, circa 1977, can be found here. On February 14, 2005, at 5pm, 97.5 "switched" frequencies and formats with 94.5 WTHK, and adopted its current adult Top 40 format. This officially "killed" the hot adult contemporary format on Philadelphia’s WMWX, which became adult hits two months later and the following year getting the current calls WBEN-FM. Neilson BDS & Midiabase still reported them as a contemporary hit radio station until 2008. The move left WIOQ from Philadelphia as the only mainstream top 40 station in both areas of Trenton & Wilmington, Delaware (served by WSTW). In August 2005, 97.5's city of license was changed from Trenton to Burlington. Before moving closer to Philadelphia, the 97.5 transmitter was located in downtown Trenton, New Jersey. The tower from which 97.5 broadcast is the tallest structure in the City of Trenton.
By 2011, the station returned to contemporary hit radio per Mediabase & Neilsen BDS reports.




Our interview:
Matt Sneed-Assistant Program Director and Music Director


When we initially set out to do this project, we decided to get in contact with 94.5 PST because it was a station that we both prefer to listen to while at school. We called to make an appointment to speak with a program director/manager/producer. After a lot of e-mails and phone calls we were given an appointment, unfortunately, on our way to our interview that day our interviewee called to cancel. We did not give up and after comparing our schedules we called back to set up another appointment. The station is extremely busy and it is very hard to get a hold of someone. When we showed up for our second appointment, the man we were initially going to interview was yet again unavailable but we were directed Matt Sneed’s way. We were so grateful to get a chance to speak with him, his job title also better aligned with our assignment than the initial interviewee’s did.
          Matt is the Assistant Program Director and Music Director at PST. He also hosts the afternoon show from 3-7 pm on weekdays. Matt has been working at 94.5 for 10 years so far which he considers a very lengthy time in the radio industry. He credits his career stability to the longevity of PST. It has been around for 40 years and he does not think they are going anywhere.
          Matt starts his day at 11 a.m., at this time he works for a few hours from home. He schedules music, takes calls from record labels that want to present new talent and makes all necessary plans for any upcoming events. When he gets into the station at 2 he ties up all the loose ends until his show starts at 3. He is on air for four hours and his day ends around 8 p.m. During the hours he is not being an on air DJ, Matt also makes a lot of the commercials you will hear on PST.  Also, Matt and other colleagues work contests and promotional events all week long, especially on weekends. There is not much down time for Matt, but he does like that he gets to sleep in.
          Every winter and spring PST hosts large concerts. This Winterwonderjam Matt was in charge of booking all of the talents and much of the prep work. These are the more hectic periods of time for PST. Matt explained to us that he has to look carefully at which artists are hot at the time and he has to budget each talent wisely. For example, The Wanted asked for $50,000 to play but Daughtry’s price was double that.
          The room in which we had our interview was nothing short of inspirational. It was a small, acoustically padded, modest studio with about 10 chairs and a tiny area that would be considered a stage. On the walls there were dozens of signed pictures. Every picture showed a singer or band that had visited PST and played in that very room. Some made it to the big time, and others we had never heard of. Record labels call up the station saying they have a new talent they’ve got to hear. If PST likes how they sound, they will play their song on the radio and let the audience decide how they feel about the new artist. It was surreal to know that sensations such as Adele, the Backstreet Boys and Uncle Kracker had been in the same room, performing in hopes of putting themselves on the map.
          According to Matt they do not have any direct competition in the area but the closest competing station would be 102.1. He states that they have an advantage because a lot of top 40 stations are now being syndicated, hosts like Elvis Duran and Ryan Seacrest can be heard on a multitude of different frequencies. PST is unique in that they have their own personalities and dj’s who are unique and set them apart from everyone else. Their demographic is women ages 18-34, Matt states that is where are the money is in terms of listeners who will actually go out to their events and spend money.
          By the FCC law stations are required to do a certain amount of community programming. For PST this takes place every Sunday morning at 6 a.m. Matt states that PST’s biggest weakness would probably be their broad area range.  Because they have listeners in New York, Philly and all of Jersey they have to label themselves as “Area’s #1 station” instead of targeting a specific state/region. Their biggest strength, however, is their longevity. They’ve been around and consistent for over 40 years and to Matt that is a huge accomplishment and he can only see PST’s future as being bright.
          Our interview with Matt was great, we got to look around the station and really get a feel of what goes on at PST on a normal day. Although it was a task actually getting to sit down and speak with someone, it was definitely worth it. Their hectic schedules just made us better understand the reality of our future careers. Matt explained that there is very rarely a time when he is not busy or doing some sort of work for the station but he loves what he does. He also explained that radio is all he knows, he’s been at it since the age of 20 and simply wouldn’t know how to do any other job. Some advice he did give us was to accept that we would be starting at the bottom. Everyone does, whether it be at an entry level job or as an intern. He also told us that in today’s job world we have to take whatever we can get and work with it, most of the time we won’t even start out getting paid. But, with hard work and dedication, we can work our way up in rankings and maybe even one day be an on air personality like Matt.

Wednesday, April 18, 2012

Skins (UK) Blog


Title: Skins 

Genre: British Teen Drama

Audience: Teens to Young Adults

Episode Synopsis: We watched the first episode of Series (Season) 6. Series 6 starts with the gang on holiday in Morocco; Franky has lost her virginity to Matty but is already becoming bored, and is tempted by wealthy drug dealer Luke (played by Joe Cole). Mini also decides to take Alo's virginity and swears him to secrecy. Matty pursues Luke and Franky which quickly escalates into a car chase; his truck overturns, putting Grace in  critical condition, and he runs away to avoid being arrested for the possession of the marijuana and ketamine Luke placed inside his vehicle. Back in Bristol, Franky struggles to cope with her guilt and Rich is prevented by Grace’s father from seeing her in the hospital, where she lies in a coma. The episode (titled “Rich”) ends seeing Grace in the hospital and we wonder if she will survive, it is a thrilling cliff hanger.
The show is very intriguing and grabs your attention right away. It is very different compared to American Television. There is a lot more nudity and mature language in the UK version. The average age of the writes for Skins is 21 and includes several “teenage consultants.” The show is filmed almost entirely in Bristol, England. There is a lot of English humor that is hard to understand and their accents are difficult to understand at times as well. Nonetheless, it is still really entertaining. TV tried to promote an American version of Skins in 2011 but it was quickly pulled from the network because of program content being too mature for the audience that was watching the program. The Parent’s Television Council, an advocacy group, criticized the show, calling it one of the worst shows a child could watch. On Februrary 21, 2012, all seasons of the UK version were made available on Hulu. Skins has also had a lot of influence on culture. The programm has given rise to the term 'Skins party', referring to a debauched night of heavy drinking and recreational drug use. During the 2007 Easter holidays, a girl in County Durham threw a house party; it was advertised on her Myspace profile as a "Skins Unofficial Party," referring to the party in the first series' trailer, with the subtitle "Let's trash the average family-sized house disco party." Two hundred people turned up, breaking into the house and causing over $20,000 of seemingly deliberate damage. The show has talks of a movie in the works but nothing has been started yet.